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      <titleStmt>
        <title>Don Juan, Canto the Third.</title>
        <author>William Hone</author>
        <editor>Kyle Grimes</editor>
      </titleStmt>
      <publicationStmt>
        <p>Edited and coded in TEI Lite, P5, for transformation and publication on the William Hone BioText, http://honearchive.org.</p>        
      </publicationStmt>
      <sourceDesc>
        <p>My copy text for the present electronic edition is a photocopy of the Bodleian Library copy of Hone's poem.  The poem was not apparently printed in very large numbers, but, unlike Hone's more ephemeral pieces, many copies of <title>Don Juan, Canto the Third</title> seem to have survived.</p>
      </sourceDesc>
    </fileDesc>
  </teiHeader>
  <text>
    <front>
      <titlePage>
        <titlePart type="main">DON JUAN,</titlePart>
        <titlePart type="sub">CANTO THE THIRD.</titlePart>
        
        <epigraph>
          <p>
            There never <emph>was</emph> such times.<lb/>
            <title>Radical Reflections.</title>
        </p>
        </epigraph>
        
        <docImprint>
          <pubPlace>LONDON</pubPlace>
          <publisher>WILLIAM HONE, LUDGATE HILL.</publisher>
          <docDate>1819.</docDate>
        </docImprint>
      </titlePage>
      
      
      <pb/>
      <docImprint>Printed by T. Davis, 192, Minories, London.</docImprint>

<pb/>
      <epigraph>
        <lg>
          <l>But in this kind, to come in braving arms,</l>
          <l>Be his own carver, and cut out his way,</l>
          <l>To find out right with wrongs -- it may not be.</l>
        </lg>
        <p>Richard II<note place="bottom" resp="KG">from <title>Richard II</title>, Act 2, Sc. 3.</note></p>
      </epigraph>

    </front>
   
    
    <body>
      
      <div>
      <head>DON JUAN.<lb/>
      THE THIRD CANTO<lb/>
      [Envoi.]</head>
       
          
      <epigraph>
        <p>Envoi.<note place="bottom" resp="KG">In the original, this "Envoi" is formatted as a footnote at the bottom of the first page of the poem.</note><lb/>
          To the Printer advertising a surreptitious Edition of my Third
          Canto.</p>
          <lg>
            <l>Don’t think you can bamboozle folks---</l>
            <l rend="indent2">Whatever merit lies in it, </l>
            <l>You know, your Canto’s all a hoax</l>
            <l rend="indent2">So don’t be advertising it.</l>
            <l>But should you call---which Heaven forbid!</l>
            <l rend="indent2"><emph rend="italic">My</emph> Juan a nonentity,</l>
            <l>He’ll come as Blackwood’s Welchman did,</l>
            <l rend="indent2">To prove his own identity.<note place="bottom" resp="KG">"Blackwood's Welchman" likely refers to "Dr. Peter Morris," the pseudonymous author of John Gibson Lockhart's <title>Peter's Letters to His Kinfolk</title>. Lockhart/Morris writes that it was the business of Francis Jeffrey, editor of the <title>Edinburgh Review</title>, to "bamboozle" his audience. [Thanks are due to Brian Rejack for this citation; further backgrounds on <title>Peter's Letters</title> can be found in Philip Flynn's "Blackwood's <title>Maga</title>, Lockhart's <title>Peter's Letters</title>, and the Politics of Publishing" (<title>Studies in Romanticism</title> 45 [2006], pp. 117-31)]. </note></l>
          </lg>
      </epigraph>
        
      </div>
  
        <div>
          <head>Juan Comes to London</head>
          
<lg type="stanza" n="01" xml:base="DJ3-st1">
  <head>I.</head>
  <l>Miss Haidee and Don Juan pleaded well;</l>
  <l rend="indent2">At least my publisher <emph rend="ital">of late</emph> so tells me,<note place="bottom" resp="KG">The "publisher <emph rend="ital">of late</emph>" is John Murray ("Drab John" in the next stanza), who published the first two cantos of Byron's <title>Don Juan</title> in 1819.  The conservative Murray--publisher of the influential <title>Quarterly Review</title>--was squeamish about Byron's iconoclastic poem, and, as a consequence, he did not put his own name down as publisher of the edition.</note></l>
  <l>Although the world he does not chuse to tell,</l>
  <l rend="indent2">Yet, every body knows ‘tis he who sells me:</l>
  <l>To sing what furthermore the <emph rend="ital">pair</emph> befel,</l>
  <l rend="indent2">(As he declines my book and thus compels me,</l>
  <l>Because my "<soCalled rend="ital">guinea trash</soCalled>" he will not own,)</l>
  <l>I send this Canto into Mr. Hone.</l>
</lg>

<milestone unit="signature" n="B"/>
<!-- <pb n="02"/> -->

          <lg type="stanza" n="02" xml:id="DJ3-st2">
        <head>II.</head>
        <l>I don’t know why Drab John so cavalierly,</l>
        <l rend="indent2">Should manifest at large his timid organ;</l>
        <l>I never baited women <emph rend="ital">too</emph> severely,</l>
        <l rend="indent2">Just see the Quarterly on Lady Morgan;</l>
        <l>To call her 'worm' was using her but queerly,</l>
        <l rend="indent2">They might as well at once have called her Gorgon:</l>
        <l>I'm sure no one can say I've treated Haidee</l>
        <l>As <hi rend="ital">Ultracrepidario</hi><note place="bottom" resp="KG">William Gifford, writer and editor for Murray's <title>Quarterly Review</title>.</note> did that lady.</l>
      </lg>
      
          <lg type="stanza" n="03" xml:id="DJ3-st3">  
        <head>III.</head>

        <l>John owes me much and need'nt have been ashamed</l>
        <l rend="indent2">To put his name upon the title page,</l>
        <l>Although he deemed my muse a little lamed,</l>
        <l rend="indent2">And fitter to be warbling from a cage;</l>
        <l>I'd have him know she is not yet so tamed,</l>
        <l rend="indent2">Although she scorns to shew it by a rage,</l>
        <l>As crouch to any one so ministerial:</l>
        <l>Was it not <emph rend="ital">I</emph> that lent him wings etherial?</l>
</lg>

      <!-- <pb n="03"/> -->

          <lg type="stanza" n="04" xml:id="DJ3-st4">
          <head>IV.</head>

          <l>You're witness here I don't get passionable,</l>
          <l rend="indent2"> I never yet was cooler in my life;</l>
          <l> But all men know, Drab John was rendered fashionable</l>
          <l rend="indent2">When my son Harold took the Muse to wife:</l>
          <l>I flatter me I still am dash-on-able,</l>
          <l rend="indent2">And so I scorn to lengthen out our strife:</l>
          <l>I am a decent <emph rend="ital">judge</emph> of Nerve and Bone</l>
          <l>I'd rather <emph>try</emph> Drab John than Mr. Hone.<note place="bottom" resp="KG">Hone's punning on "judge" and "try" recalls the argument of <title>Don John</title>; Hone had indeed been tried for his 1817 parodies, and, though Hone himself was acquitted, other publishers of the parodies were still being prosecuted in 1819.  Hone, of course, saw this as a legal double-standard and is using the Byronic voice to make his point.</note></l>
</lg>

          <lg type="stanza" n="05" xml:id="DJ3-st5">
            <head>V.</head>

            <l>They say as folk grow older they get wiser,</l>
            <l rend="indent2">And Juan in his wisdom thought so too;</l>
            <l>But if his actions gave, or not, the lie Sir,</l>
            <l rend="indent2">Unto this axiom shall be left to you;</l>
            <l>He'd travelled in most lands<note place="bottom" resp="WH">[Hone's note:] <quote>
              <lg>
                <l>Ανδρα αολυτροπον . . . νσ μυλα αολλα</l>
                <l>Πλαϒχθη . . .  . . . . . .  . . . . . . . . . . .</l>
                <l>Πολλών δ΄ανθρωπων ιδεν αϛεα . . . . . .</l>
                <l>Πολλα δ οϒ ΕΝ ΠΟΝΤΩ (see my Second Canto) παθεν αϒλεα.</l>
              </lg>
            </quote> Odyss: Lib. I.<lb/>
              [This is an incomplete and inaccurately quoted version of the opening lines of the Odyssey.  The meaning is something like “Tell me muse about the wily man who wandered long… who saw the cities and knew the minds… But suffered at sea (see my Second Canto) many sorrows.”  The reference to the second canto is likely to Byron’s shipwreck and cannibalism episode.]
                </note> aneath the sky, Sir,</l>
            <l rend="indent2">France, Italy, and Spain had wandered thro',</l>
            <l>And Germany and Holland scrambled over--- </l>
            <l>Until the Packet landed him at <hi rend="ital">Dover</hi>.</l>


</lg>
<milestone unit="signature" n="B2"/>


      <!-- <pb n="04"/> -->

          <lg type="stanza" n="06" xml:id="DJ3-st6">
              <head>VI.</head>
              <l>But not to spy the bareness of the land, </l>
              <l rend="indent2">Or quiz her laurelled Statesmen did he come;</l>
              <l>To steal our Daughter's?--no--he'd some on hand;</l>
              <l rend="indent2">Or kiss our Wives? oh! no! he'd one at home:</l>
              <l>But occupations being at a stand </l>
              <l rend="indent2">Upon the Continent, he swore he'd roam,</l>
              <l>And find some folk so apt to cram a lie</l>
              <l>That he might feed his wife and family.</l>
</lg>

          <lg type="stanza" n="07" xml:id="DJ3-st7">
                <head>VII.</head>

                <l>For I've forgot to tell you until now,</l>
                <l rend="indent2">That Miss Haidee (they're married by the bye,)</l>
                <l>Had brought him, somewhat strange as I allow,</l>
                <l rend="indent2">Six strapping boys as ever met the eye;</l>
                <l>And young Haidees as many, for somehow,</l>
                <l rend="indent2">Whether to tame his noted gallantry,</l>
                <l>Or in strict retribution for his Sins,</l>
                <l>For six successive years she brought him twins.</l>
</lg>
      <!-- <pb n="05"/> -->


          <lg type="stanza" n="08" xml:id="DJ3-st8">
                  <head>VIII.</head>

                  <l>And twins can't live on air;--- and no reliance</l>
                  <l rend="indent2">On life a moment can <hi rend="ital">exist</hi> in Spain;</l>
                  <l>Since the exertions of our grand alliance </l>
                  <l rend="indent2">Have given the Spaniards their tenth plague again,<note place="bottom" resp="KG">  An allusion to the ten plagues of Egypt, Exodus 11:1-12:36.</note></l>
                  <l>Who sets all calculations at defiance</l>
                  <l rend="indent2">By the embroidery of his hand and brain:</l>
                  <l>So, twins not feeding as I said on air,</l>
                  <l>Thought Juan I must try my luck elsewhere.</l>
</lg>

          <lg type="stanza" n="09" xml:id="DJ3-st9">
                    <head>IX.</head>

                    <l>And so he came to Dover in the Packet,</l>
                    <l rend="indent2">Losing no time in getting up to town;</l>
                    <l>But left, as he was wont to leave, a racket</l>
                    <l rend="indent2">Among the bright eyes black and blue and brown;</l>
                    <l>I vouch the fact<note place="bottom" resp="WH">[Hone's note:]
                    <quote>
                      <lg>
                        <l>Νυμφη τοτνι ερυκε Καλυψω δια θεαω</l>
                        <l>Εν Σπεσσι ϓλαφυροίσι λιλαιομενυ ποσιν ιναι</l>
                    <l>Εν Σπεσσι ϓλαφυροισι (quasi Bathing Machine) λιλαιομενυ ποσιν ειναι</l>
                      </lg>
                    </quote>
                      [The passage, inaccurately quoted, is from The Odyssey, I, lines 14-15, with line 15 essentially repeated.  The passage introduces Kalypso who detains Odysseus, hoping to make him her husband.]
                    </note>, and Mrs. Payne will back it,</l>
                    <l rend="indent2">Who told it me the last time I was down:</l>
                    <l>Unless I'm sure of facts I ne'er advance 'em,---</l>
                    <l>Besides she said he was so very handsome.</l>
                  </lg>
      
      <!-- <pb n="06"/> -->

          <lg type="stanza" n="10" xml:id="DJ3-st10">
                      <head>X.</head>
                      <l>Juan liked London well enough, 'twas winter;</l>
                      <l rend="indent2">In summer weather London's rather dull,</l>
                      <l>Unlike the brain, where hearty dinners centre,</l>
                      <l rend="indent2">Becoming gayer as the streets get full.</l>
                      <l>And forth he daily went that every inter-</l>
                      <l rend="indent2">-Esting sight of London he might cull:</l>
                      <l>A week or so all this was very well,</l>
                      <l>But as his purse grew low his spirits fell.</l>
</lg>

          <lg type="stanza" n="11" xml:id="DJ3-st11">
                        <head>XI.</head>

                        <l>He saw the Devil's Houses, great and small, </l>
                        <l rend="indent2">Lounging to one or other every night;</l>
                        <l>He saw the Tower and Pidcocks<note place="bottom" resp="KG">  The reference is to Exeter Exchange, a building in the Strand that housed a famous menagerie that had originally been established by the Pidcock family.</note> and St. Paul,</l>
                        <l rend="indent2">And wondered how the streets were made so light;</l>
                        <l>And then he took to thinking after all,</l>
                        <l rend="indent2">He might present her not so rare a sight,</l>
                        <l>Yet one of greater Interest than any,</l>
                        <l>A man in London streets without a penny.</l>
</lg>

      <!-- <pb n="07"/> -->


          <lg type="stanza" n="12" xml:id="DJ3-st12">
                          <head>XII.</head>

                          <l>One day he thought of taking to the Law,</l>
                          <l rend="indent2">But that required both too much time and reading;</l>
                          <l>And then the Church, for every where he saw</l>
                          <l rend="indent2">Its followers exhibited high feeding;</l>
                          <l>Then a thought struck his pericranium--"pshaw!</l>
                          <l rend="indent2">For Church or Law I ne'er had College breeding,</l>
                          <l>I don't see how my family to fix</l>
                          <l>In London, better than by Politics."</l>
</lg>

        </div>
        <div>
          <head>Juan Establishes <title>The Devilled Biscuit</title></head>


          <lg type="stanza" n="13" xml:id="DJ3-st13">
  <head>XIII.</head>
  <l>Now, Juan left a mort of debts behind him,</l>
  <l rend="indent2">In Judgment bonds and many post obit,</l>
  <l>And, if his Creditors should ever find him,</l>
  <l rend="indent2">He thought it equity, like William Cobbett,<note place="bottom" resp="KG">  Cobbett (1763-1835) was a prominent journalist, radical writer, and an acquaintance and supporter of Hone's (though Hone did not like or trust him).  He published the influential <title>Political Register</title> prior to his flight from England in 1817.  Cobbett had settled in Botley in the early nineteenth century, thus explaining the closing lines of the stanza.</note></l>
  <l>To allow no Incumbrances to bind him:</l>
  <l rend="indent2">"As for my dear friend's purse I'll never rob it,"</l>
  <l>Quoth he- - -"but then my family so motly</l>
  <l>Must first be well established <hi rend="italic">á la Botley</hi>."</l>
</lg>

<!-- <pb n="08"/> -->

          <lg type="stanza" n="14" xml:id="DJ3-st14">
  <head>XIV.</head>
  <l>This was a safe argument, let men deny it, </l>
  <l rend="indent2">So Juan boldly set himself to work </l>
  <l>At once, with all his might and main, to try it,- - - </l>
  <l rend="indent2">And if he wrote no parodies on Kirk,<note place="bottom" resp="KG">  An allusion to Hone's liturgical parodies for which he was tried on charges of blasphemy and sedition in December, 1817.</note></l>
  <l>And only could prevail on folks to buy it, </l>
  <l rend="indent2">Himself a Pagan, Infidel or Turk, </l>
  <l>He knew it matter'd not a silver Groat </l>
  <l>Whate'er he printed, penned or said or thought.</l>
</lg>
      

          <lg type="stanza" n="15" xml:id="DJ3-st15">
        <head>XV.</head>
        <l>He took an office, hard by the <hi rend="ital">Change Gate</hi>,</l>
        <l rend="indent2">Which had been tenanted, time immemorial, </l>
        <l>By men who sit in all the pride of <hi rend="ital">State</hi>, </l>
        <l rend="indent2">And daily place in even ranks before ye- - -all</l>
        <l>The scandal of the <hi rend="ital">Little</hi> or the Great,</l>
        <l rend="indent2">Both magisterial and senatorial,</l>
        <l>But 7 pence charge (if up you want to scrape any,)</l>
        <l>A short time since 'twas only Sixpence halfpenny[.]</l>
      </lg>
      
      <!-- <pb n="09"/> -->
      
          <lg type="stanza" n="16" xml:id="DJ3-st16">
        <head>XVI.</head>
        <l>There lay the Chronicle, and there the Sun,<note place="bottom" resp="KG">  The stanza identifies many prominent newspapers of the day, many of which had offices on or near the Strand (as mentioned in the following stanza).</note></l>
        <l rend="indent2">The Globe, and once a week th' Examiner;</l>
        <l>The Advertiser, the Republican,</l>
        <l rend="indent2">The Herald and the Statesman and the Star;</l>
        <l>The Courier too, enough to startle one,</l>
        <l rend="indent2">The greatest Liar of the whole by far;</l>
        <l>Besides the Times, and <hi rend="ital">sheeted</hi> Evening Mail,</l>
        <l>That issues from it like a double tail.</l>
      </lg>
      
          <lg type="stanza" n="17" xml:id="DJ3-st17">
        <head>XVII.</head>
        <l>And Mr. Clements's Observer, and </l>
        <l rend="indent2">A long string more, whose names I have forgotten,</l>
        <l>But mostly published in or near the Strand,</l> 
        <l rend="indent2">Which were without them like a herring shotten.</l>
        <l>Juan however thought it second hand</l>
        <l rend="indent2">To deal in politics so rank and rotten,</l>
        <l>And being, as he deemed, as good a Railer,</l>
        <l>He cut the business of a News Retailer.</l>
      </lg>
      
      <!-- <pb n="10"/> -->
      
          <lg type="stanza" n="18" xml:id="DJ3-st18">
        <head>XVIII.</head>
        <l>And sat up for himself as publisher</l> 
        <l rend="indent2">Of Rubbish on Reform; and no bad hit</l>
        <l> Was this of Juan's, if, as I aver,</l>
        <l rend="indent2">He had been dubbed in <hi rend="ital">Scio</hi> for a Wit.</l>
        <l>Then, prythee, wherefore should not Juan stir</l>
        <l rend="indent2">About a Radical Reform a bit?</l>
        <l>As well as Dons, with Sculls no atom fuller,</l>
        <l>Sherwin, or Watson, Hunt, Carlile, or Wooler.<note place="bottom" resp="KG">  William Sherwin, James Watson, Leigh and John Hunt, Richard Carlile, and T. J. Wooler were all prominent radical writers, journalists, and publishers.  Wooler, a close acquaintance of Hone's, was the writer/publisher of a weekly newspaper called <title>The Black Dwarf</title>.  Like Hone, he was prosecuted for libel in 1817, a fact that may help to explain the allusions in the following stanza.</note></l>
      </lg>
      
          <lg type="stanza" n="19" xml:id="DJ3-st19">
        <head>XIX.</head>
        <l>Not but the last has certainly his Quantum</l>
        <l rend="indent2">Of Courage, Nerve and Game, as well as brain;</l>
        <l>And, tho'in ireful mood my Lord of Grantham,</l>
        <l rend="indent2">Once flourished over him a whanghee cane,</l>
        <l>The Dwarf's a tightish little Bit of Bantam:</l>
        <l rend="indent2">Herein I merely venture to maintain,</l>
        <l>That if he flock with birds of such a feather,</l>
        <l>He can't complain if they get shot together.</l>
      </lg>
      
      <!-- <pb n="11"/> -->
      
          <lg type="stanza" n="20" xml:id="DJ3-st20">
        <head>XX.</head>
        <l>I'll tell you what were some of Juan's Qualities,</l>
        <l rend="indent2">(That are'nt possessed by every learned Editor,)</l>
        <l>He'd pen you Sonnets on <hi rend="ital">the day's realities,</hi></l>
        <l rend="indent2">Mislay the Contributions of <hi rend="ital">Proveditor,</hi> </l>
        <l>Write poems on Italian immoralities, </l>
        <l rend="indent2">And mightily conceive himself your Creditor:</l>  
        <l>Then if you blamed his muse, for morals damning her,</l>  
        <l>He'd call his Wife, and bid you cross <hi rend="ital">Examine her</hi>.<note resp="KG" place="bottom">  Note that in the second edition, the last seven lines of this stanza are replaced with asterisks, probably in parodic imitation of John Murray's similar practice with Byron's <title>Don Juan</title>.  In the present case, the reference to "Italian immoralities" may well have elicited an unwanted allusion to Queen Caroline whose alleged "immoralities" became a topic of heated public (and Parliamentary) debate in 1820.</note></l>
      </lg>
      
          <lg type="stanza" n="21"  xml:id="DJ3-st21">
        <head>XXI.</head>
        <l>Besides, I've reason to believe his Head</l>
        <l rend="indent2">Of Classicalities a perfect Storehouse;</l>
        <l>In very good Translations he had read </l>
        <l rend="indent2">Whole heaps of such old bucks as Tryphiodorus.</l> 
        <l>Altho' he never was at college bred: </l>
        <l rend="indent2">For instance if he talk'd to you of <hi rend="ital">Moorhouse</hi>,</l>  
        <l>Preston,<note place="bottom" resp="KG">  In subsequent printings, "Preston" is replaced with "Carlile."  Both are noteworthy radicals.</note> or any such reforming fellow, </l>
        <l>He'd drag in Cataline or Massaniello.</l>
      </lg>
      
      <!-- <pb n="12"/> -->
      
          <lg type="stanza" n="22"  xml:id="DJ3-st22">
        <head>XXII.</head>
        <l>With means like these if Juan didn't succeed,</l> 
        <l rend="indent2">And carry all before him like a charge </l>
        <l>Of Yeomanry, it's very hard indeed,  </l>
        <l rend="indent2">Suppose we then, careering and at large,</l> 
        <l>Her anchor heaved, and from her moorings freed,</l> 
        <l rend="indent2">The Vessel, or for Rhyming sake, the Barge  </l>
        <l>Of all his hopes upon the treacherous sea </l>
        <l>Of undisputed popularity.</l>
      </lg>
      
          <lg type="stanza" n="23" xml:id="DJ3-st23">
        <head>XXIII.</head>
        <l>It was the Time when England's robe was rent,</l> 
        <l rend="indent2">And famine's curse was blistering on the tongue;</l>  
        <l>When thro' her every limb strange shiverings went, </l>
        <l rend="indent2">And suffering had her every nerve unstrung;  </l>
        <l>When passion vainly strove to find a vent,</l>
        <l rend="indent2">When helplessly her maniac arms were flung</l> 
        <l>To Heaven, and Heaven allowed unscathed to go,</l> 
        <l>The monsters who had wrought such utter woe.</l>
      </lg>
      
      <!-- <pb n="13"/> -->
      
          <lg type="stanza" n="24"  xml:id="DJ3-st24">
        <head>XXIV.</head>
        <l>This was the hour our old friend Juan hit upon</l> 
        <l rend="indent2"> To prop the pillars of a falling cause;</l>
        <l>A cause degraded, hooted at, and spit upon</l> 
        <l rend="indent2">By all good subjects of our equal laws;  </l>
        <l>(That is by all who happen to have lit upon </l>
        <l rend="indent2">Some good fat garbage for their hungry maws,)</l>  
        <l>And, tho' he had but little, chose to risk it </l>
        <l>Upon a paper called <hi rend="gothic">THE DEVILLED BISCUIT</hi>.</l>
      </lg>
      
          <lg type="stanza" n="25" xml:id="DJ3-st25">
        <head>XXV.</head>
        <l>And Juan called it so, because concocted</l>
        <l rend="indent2">Of every hot or savoury Ingredient; </l>
        <l>Upholding the principles the same as Locke did,</l> 
        <l rend="indent2">Who built a paper limit for the obedient: </l>
        <l>Besides, with <hi rend="ital">magisterial</hi> news he stocked it,</l> 
        <l rend="indent2">The measures mercifully deemed expedient, </l>
        <l>The cutting, maiming, stabbing, slashing, hacking,</l> 
        <l>--- 'Twas dedicated to their Worships' cracking.</l>
      </lg>
      
      <!-- <pb n="14"/> -->
      
          <lg type="stanza" n="26" xml:id="DJ3-st26">
        <head>XXVI.</head>
        <l>Of old, when victories <hi rend="ital">the Continental</hi>,</l> 
        <l rend="indent2">Arrived, and come they did I don't know how,</l> 
        <l>More regular than landlords get their rental, </l>
        <l rend="indent2">The streets were in an uproar with the row </l>
        <l>Of horns and roaring boys, and throats that spent all</l> 
        <l rend="indent2">Their breath to get a bit of bread, - - -but now </l>
        <l>  The newsman's voice is hoarse with thundering  forth</l>
        <l>Our <hi rend="ital">glory-covered</hi> Heroes of the North.</l>
      </lg>
          
          <lg type="stanza" n="27" xml:id="DJ3-st27">
        <head>XXVII.</head>
        <l>But this was vulgar Juan thought, as was </l>
        <l rend="indent2">Another scheme of modern innovation,</l>  
        <l>The sticking papers in the window glass </l>
        <l rend="indent2">Of offices, in some conspicuous station, </l>
        <l>To catch the eyes of travellers that pass, </l>
        <l rend="indent2">Who'd otherwise ne'er think about the nation: </l>
        <l>'Tis very well for common Grub Street Ballads, </l>
        <l>But he disdained to pamper their rank palates.</l>
      </lg>
      
      <!-- <pb n="15"/> -->
      
          <lg type="stanza" n="28" xml:id="DJ3-st28">
        <head>XXVIII.</head>
        <l>This common editorial trick our Don,</l>
        <l rend="indent2">Declining puffularity, avoided:  </l>
        <l>He ne'er his Daily Journal pasted on </l>
        <l rend="indent2">His window, thus no idle man nor boy did </l>
        <l>Impede the passengers, who stepping on, </l>
        <l rend="indent2">Such <foreign rend="ital">noninpedimentum</foreign> much enjoy did:  </l>
        <l>For He like Coleridge would with ready club lick </l>
        <l>That million headed beast, a READING PUBLIC.</l>
      </lg>
      
          <lg type="stanza" n="29" xml:id="DJ3-st29">
        <head>XXIX.</head>
        <l>"'Tis very well, " said he, "shut up in study,</l>
        <l rend="indent2">By Gas Light to be conning learned lore,</l>
        <l>Or reading papers to our dearest Judy, </l>
        <l rend="indent2">While she our breakfast from a teapot pour;</l>
        <l>But horrible indeed, when streets are muddy,</l> 
        <l rend="indent2">To queer a mob <hi rend="ital">that paper</hi> spelling o'er,</l> 
        <l>With visages no doubt for wise and grave meant,</l> 
        <l>And have to elbow them, or quit the pavement."</l>
      </lg>
      
      <!-- <pb n="16"/> -->
      
          <lg type="stanza" n="30" xml:id="DJ3-st30">
        <head>XXX.</head>
        <l>At that dread hour, the solemn hour of four,</l> 
        <l rend="indent2">When forth the beating hearts 'smoke dried and seared,</l>
        <l>And shrivelled up,'<note place="bottom" resp="KG">  From <name type="person" key="soutrobe">Robert Southey's</name> eclogue, <title>The Alderman's Funeral</title> (l. 109).</note> from counting houses pour,</l>
        <l rend="indent2">And change time comes desired by some, or feared;</l>
        <l>As thronged the countless hundreds past his door,</l>
        <l rend="indent2">Leaning against the door-post he appeared;</l>
        <l>And thus with light guittar genteely swung,</l>
        <l>His <hi rend="gothic">DEVILLED BISCUIT</hi> to the mob he sung.</l>
      </lg>
      
          <lg type="stanza" n="31" xml:id="DJ3-st31">
        <head>XXXI.</head>
        <l>A second Orpheus -- there in mute amaze</l>
        <l rend="indent2">Around him Bears, and Bulls, and Asses came,</l>
        <l>And Ducks and Geese, to listen, or to gaze</l>
        <l rend="indent2">Upon the stranger with a  Spanish name.</l>
        <l>He made a rare to-do for some few days,</l>
        <l rend="indent2">Despite the cries of "bravo," "off," and "shame,"</l>
        <l>From those who came to hiss, and those who cheered him:</l>
        <l>And, thus, he sung the only day <emph rend="ital">I</emph> heard him.</l>
      </lg>
          
          
          
      
      <!-- <pb n="17"/> -->
        </div>
        <div>
          <head>"THE DEVILLED BISCUIT"; Or, Juan Sings the News</head>

          <lg type="stanza" n="32" xml:id="DJ3-st32">
        <head>XXXII.</head>
        <l>ON Thursday last our hearts went a pit a' pat,</l>
        <l rend="indent2">Our feet sans pattens as the streets were clean,</l>
        <l>We found the west end of the town <foreign rend="ital">quo stat</foreign> --</l>
        <l rend="indent2">(You know what such old latin phrases mean.)</l>
        <l>Altho' the Radicals were met to chat,</l>
        <l rend="indent2">And Government's old eye was glancing green</l>
        <l>With jealousy, yet gave them leave to talk,</l>
        <l>And kept the soldiers in the <hi rend="ital">Birdcage Walk</hi><note place="bottom" resp="KG">  On the south perimeter of St. James's Park, Birdcage Walk was, in 1819, of the Foot Guards' Barracks.</note>.</l>
      </lg>
      
          <lg type="stanza" n="33" xml:id="DJ3-st33">
        <head>XXXIII.</head>
        <l>Fine feathers make fine birds in any cage,</l> 
        <l rend="indent2">And Government 'tis said have got a few:</l>
        <l>I hope the Coldstream wo'n't be in a rage,</l>
        <l rend="indent2">And set the Thames on fire at a review:</l>
        <l>I hope the Horse Guards will be cool and sage,</l> 
        <l rend="indent2">So "darkly, deeply, beautifully blue!"</l>
        <l>I quote that line from Mr. Southey's 'Madoc,'<note place="bottom" resp="KG">The line appears in Southey's <title>Madoc</title> (vol. 1, part 5).  Interestingly, Byron then used the line in the fourth canto of <title>Don Juan</title>, (st. 110).</note></l>
        <l>Wherein he writes about a dying haddock.</l>
      </lg>
      
      <milestone unit="signature" n="C"/>
      <!-- <pb n="18"/> -->
      
          <lg type="stanza" n="34" xml:id="DJ3-st34">
        <head>XXXIV.</head>
        <l>So much for soldiers- - -I indeed ne'er saw them,</l>
        <l rend="indent2">And take the Courier's word for matter o'fact,</l>
        <l>I swear I never heard the rabble jaw them,</l>
        <l rend="indent2">So I suppose they'd no command to act;</l>
        <l>I saw no swords, or Yeomen sworn to draw them,</l>
        <l rend="indent2">But I confess at window frame compact,</l>
        <l>High over-head I saw a noble nob- -</l>
        <l>They said the owner's name was Irish Bob.<note place="bottom" resp="KG">"Irish Bob" is Robert Stewart, Lord Castlereagh, the Foreign Secretary.  Castlereagh was a much-despised figure among the radicals and reformers of the day.</note></l>
      </lg>
      
          <lg type="stanza" n="35" xml:id="DJ3-st35">
        <head>XXXV.</head>
        <l>I often wish this Bob, like Bobadil,</l> 
        <l rend="indent2">(Who struts our stage the very prince of stormers)</l>
        <l>Upon <emph rend="ital">his</emph> plan would just contrive to kill </l>
        <l rend="indent2">Some fifty thousand of these vile Reformers;</l> 
        <l>Or sabre them into a Surgeon's bill, </l>
        <l rend="indent2">Your sabre is the best of all deformers:</l>  
        <l>Mens' <hi rend="ital">felt</hi> is soft, and so are women's <hi rend="ital">Dunstables</hi>,</l> 
        <l>Besides, he'd save the king some cash and constables.</l>
      </lg>
      
      <!-- <pb n="19"/> -->
      
          <lg type="stanza" n="36" xml:id="DJ3-st36">
        <head>XXXVI.</head>
        <l>And here I would particularly urge on</l> 
        <l rend="indent2">The circle grave to whom I sing aloud,</l> 
        <l>That I observed a solemn looking surgeon,</l> 
        <l rend="indent2">Studying a book unjostled by the crowd;</l>
        <l>'Tis well thought I- -I donned my best habergeon,</l> 
        <l rend="indent2">When Doctors come, of their profession proud,</l> 
        <l>And study '<title>Cross's Surgery</title>' <note place="bottom" resp="WH">[Hone's note:] A fact.</note>on the spot!</l>
          <l>There's many a Radical will soon be shot.</l>
      </lg>
      
          <lg type="stanza" n="37" xml:id="DJ3-st37">
        <head>XXXVII.</head>
        <l>I'm not a RADICAL myself, but that</l> 
        <l rend="indent2">Is neither here nor there; I've no ambition,</l> 
        <l>To have a brace of bullets thro my hat,</l> 
        <l rend="indent2">Or e'en adopt amphibious condition;</l> 
        <l>And to avoid the sabre, or brick-bat,</l> 
        <l rend="indent2">Swim the Thames river as a merry fish in,</l> 
        <l><hi rend="ital">That Palace Yard</hi>, you know is no bad place</l> 
        <l>For making <hi rend="ital">Tritons</hi> of the populace.</l>
      </lg>
      
      <milestone unit="signature" n="C2"/>
      
      <!-- <pb n="20"/> -->
      
          <lg type="stanza" n="38" xml:id="DJ3-st38">
        <head>XXXVIII.</head>
        <l>I've heard that mobs are fickle, false and finnical,</l> 
        <l rend="indent2">But, tho' they be all that and radical</l>
        <l>To boot, I do confess a hideous sin I call </l>
        <l rend="indent2">The making them become so haddockal;</l>
        <l>And should from hall of Westminster's high pinnacle</l> 
        <l rend="indent2">Be griev'd to hear them on their Daddie call</l>
        <l>For mercy, since the King or good, or bad, he</l>
        <l>In every nation is the people's daddie.
          <note place="bottom" resp="WH">[Hone's note:] 
            <quote>
            <lg>
              <l>-------------------Or as  a King</l>
              <l>Is styled, when most affectionately prais'd</l>
              <l>The father of his people."</l>  
            </lg>
            </quote>
            <title>Excursion</title> [book 5, ll. 102-04].</note>
        </l>
      </lg>
      
          <lg type="stanza" n="39" xml:id="DJ3-st39">
        <head>XXXIX.</head>
        <l>'Twas so at Rome, when Rome was giv'n to flattery,</l>
        <l rend="indent2">Whenever any of her bold he-roes</l>
        <l>Silenc'd the fire of Carthaginian battery,</l>
        <l rend="indent2">Or took an old Numidian by the nose,</l>
        <l>They dubb'd the daring villian PATER PATRIÆ, <note place="bottom" resp="WH">[Hone's note:]  "The Ranting Dog, the Daddie o't"- -Burns. (Charles 2nd par Exemple.)  In the present Stanza I differ with Burns as to the accentuation, but I have as much occasion for the last syllable as he had for the first.  I cannot lose this opportunity of remarking that <emph rend="ital">his 'Ranting Dog'</emph> seems to resemble in most particulars the general Race of our Ranting Dogs <emph rend="ital">political</emph>: who after courting the Republic and getting her most manfully into a <hi rend="ital">scrape</hi>, resolve to stand by her to the last, through all difficulties; so that by hook or by crook, the Republic, poor thing, cannot help being much indebted to their notice or their generosity.</note></l>
        <l rend="indent2">And Livy penn'd a long Gazette in prose:</l>
        <l>So Julius Caesar did arrive to be </l>
        <l>His father's and his mother's own <hi rend="ital">Daddie</hi>.</l>
      </lg>
      
      <!-- <pb n="21"/> -->

          <lg type="stanza" n="40" xml:id="DJ3-st40">
        <head>XL.</head>
        <l>The consequence of such a scheme is plain:</l>
        <l rend="indent2">The Daddy, well broke in by million slaughters,</l>
        <l>Had not acquired his stoicism in vain,</l>
        <l rend="indent2">But freely flogged unruly sons and daughters,</l>
        <l>Until the silly urchins roared again;</l>
        <l rend="indent2">And, sometimes, he prepared his axe and halters,</l>
        <l>Witness <foreign xml:lang="french">Le Thière's</foreign> splash of the first Brutus:<note place="bottom" resp="KG">The reference is to Guillaume Guillon-Lethière's 1811 painting of "Brutus Condemning His Sons to Death." 
        </note></l>
        <l>We'll call at Bullock's if the Guards wo'n't shoot us.</l>
        
      </lg>
      
      
          <lg type="stanza" n="41" xml:id="DJ3-st41">
        <head>XLI.</head>
        <l>They stopped Lord Essex, tho', the other day;</l>
        <l rend="indent2">But whether he was going to see that picture</l>
        <l>I can't affirm; it struck me, by the way,</l>
        <l rend="indent2">The guard that stopped him looked much like the Lictor:</l>
        <l>On which, I heard some angry people say</l>
        <l rend="indent2">"Altho' he'd been at Waterloo the victor,</l>
        <l>He was not fully justified to tread all</l>
        <l>People down, who did not wear a medal."</l>
      </lg>
      
      <milestone unit="signature" n="C3"/>
      <!-- <pb n="22"/> -->
      
          <lg type="stanza" n="42" xml:id="DJ3-st42">
        <head>XLII.</head>
        <l>I'm but a man, but if I were a woman</l>
        <l rend="indent2">I should not be so much afraid of Guards,</l>
        <l>But like Eliza Gaunt I dread a Yeoman,<note place="bottom" resp="KG">Elizabeth Gaunt was a seventeenth-century Anabaptist who, in 1685, was burned at the stake.  Hone links this act of martyrdom with the killings at Peterloo--the Manchester Massacre referred to in several of these stanzas (c.f. 41 and 45)--by the yeoman cavalry. </note></l>
        <l rend="indent2">And think him as immaculate as 'pards;</l>
        <l>I don't say Leo-pards there's something Roman</l>
        <l rend="indent2">Sticks to the Lion expletive which bards,</l>
        <l>Or learned naturalists have given the beast</l>
        <l>Which Yeoman doth not copy in the least.</l>
      </lg>
      
          <lg type="stanza" n="43" xml:id="DJ3-st43">
        <head>XLIII.</head>
        <l>Now, that I'm musing on this Betty Gaunt,</l>
        <l rend="indent2">I wonder if she's lineally descended</l>
        <l>By Father, Mother, Brother, Uncle, Aunt,</l>
        <l rend="indent2">From him who Lusitanian Tower defended;<note place="bottom" resp="KG">  John of Gaunt, First Duke of Lancaster (1340-1399).</note></l>
        <l>O'er whom the scaling foe could never vaunt,</l>
        <l rend="indent2">But toppled down each rascal that ascended?</l>
        <l>I feel a thirst for Antiquarian Knowledge,</l>
        <l>And mean to call some day at Heralds' College.</l>
      </lg>
     
      <!-- <pb n="23"/> -->
      
          <lg type="stanza" n="44" xml:id="DJ3-st44">
        <head>XLIV.</head>
        <l>You used some <emph rend="ital">Centuries past</emph> to have a phrase</l>
        <l rend="indent2">For neat expression of some trifle petty,</l>
        <l>I've often heard it in my younger days,</l>
        <l rend="indent2">If I remember right,--"My Eye and Betty!"</l>
        <l>Aye, "Betty Martin"--but Wordsworthian Rays</l>
        <l rend="indent2">Of Genius now afford us one as pretty,</l>
        <l>Foy<note place="bottom" resp="WH">[Hone's note:]
          <quote>
          <lg>
          <l>All my Eye</l>
        <l>And Betty Foy,</l>
        <l>And her idiot Boy</l></lg>
          </quote>[The reference is to Wordsworth's poem "The Idiot Boy."  (The phrase "All my eye and Betty Martin!" meant something like "Pshaw!" or "Nonsense!")  Also, the "Wordsworthian Rays" in the fifth line of the stanza is a similar reference to Martha Ray, the principal character of Wordsworth's "The Thorn."]</note> for our Martin--"Pshaw, 'tis all my aunt,</l>
        <l>'Tis all my uncle's wife and Betty Gaunt!"</l>
      </lg>
      
          <lg type="stanza" n="45" xml:id="DJ3-st45">
        <head>XLV.</head>
        <l>O Betty! fare thee well, and if for ever,<note place="bottom" resp="KG">  Hone here echoes the opening line of Byron's "Fare Thee Well" (which Hone had published in 1816).</note></l>
        <l rend="indent2">I must an Exile part from Hunt and thee.</l>
        <l>Let not the Manchester <soCalled><hi rend="ital">Occurrence</hi></soCalled><note place="bottom" resp="WH">[Hone's note:] My friend, the celebrated Courier, furnished me with this <hi rend="ital">formula</hi> for expressing the Manchester Event in the <hi rend="ital">best</hi> terms. [The Manchester Event is, of course, the Massacre noted in stanza 42.]</note> sever</l>
        <l rend="indent2">The tender bond of our Triumviry:</l>
        <l>You'll find that Hunt as shrewd a cove, and clever,--</l>
        <l rend="indent2"><emph rend="ital">I</emph> must be off to Palace Yard, and see</l>
        <l>If they intend to poke the Brighton lances</l>
        <l>Thro' Cartwright, Hobhouse, Walker or Sir Francis.<note place="bottom" resp="KG">Four prominent radicals--Major John Cartwright, Thomas Walker, John Cam Hobhouse, and Sir Francis Burdett.  Cartwright and Hobhouse were personal acquaintances of Hone.    Henry Hunt, mentioned earlier in the stanza, was the featured speaker at the "Manchester Event."</note></l>
      </lg>
      
      <!-- <pb n="24"/> -->
      
          <lg type="stanza" n="46" xml:id="DJ3-st46">
        <head>XLVI.</head>
        <l>Resuming then; -- as near as I remember,</l>
        <l rend="indent2">It was a day looked forward to by courtsmen,</l>
        <l>Morning <emph rend="ital">but twice</emph> had kissed her dear <emph rend="ital">September</emph>--<note place="bottom" resp="KG">Hone's Juan is reporting on a real event: a large and sometimes tense public meeting that took place in London in the aftermath of the Peterloo Massacre on 2 September, 1819.  Many of the details supplied in the poem are drawn from the newspaper accounts of that meeting.</note></l>
        <l rend="indent2">(The day before, they were disturbed by sportsmen)</l>
        <l>Upon the hustings, built of seasoned timber,</l>
        <l rend="indent2">Were gathered a rare knot of keen reportsmen,</l>
        <l>Prepared to note whate'er Sir F. should speak,</l>
        <l>In characters, that's all, resembling Greek.</l>
        </lg>
      
          <lg type="stanza" n="47" xml:id="DJ3-st47">
        <head>XLVII.</head>
        <l>I saw, you're well aware I never lie,</l>
        <l rend="indent2">With my own polypheman, sharp as sickle,</l>
        <l>Their papers aspinate, their pencils fly,</l>
        <l rend="indent2">And in the twinkling of a bedposticle,<note place="bottom" resp="WH">[Hone's note:] Bedposticle, Dim. of Bedpost.  See Blackwood's Magazine vol. 5, page 718.  [The word "bedposticle" does not appear in Blackwood's, though the phrase "twinkling of a bedpost"--meaning, roughly, "in a jiffy" or "quick as a wink"--does.]</note> </l>
        <l>Catch words that lightened from the speaker's eye,</l>
        <l rend="indent2">Before his teeth began his tongue to tickle:</l>
        <l>For, in your English, from the teeth and tongue,</l>
        <l>And the embrace of lips, is language sprung.</l>
      </lg>
      
      <!-- <pb n="25"/> -->
      
          <lg type="stanza" n="48" xml:id="DJ3-st48">
        <head>XLVIII.</head>
        <l>'Tis fit I tell you tho', all danger scorning,</l>
        <l rend="indent2">That I was there reporter for myself,</l>
        <l>And walked down with a friend on Thursday morning,</l>
        <l rend="indent2">Leaving Haidee with bread and cheese on shelf,</l>
        <l>A little milk to stay our children's yawning,</l>
        <l rend="indent2">And sixpence halfpenny in copper pelf,</l>
        <l>Queen of our baking, boiling, stewing, hashing,</l>
        <l>And <hi rend="ital">shutter-up</hi>, should guards that way be slashing.</l>
      </lg>
      
          <lg type="stanza" n="49" xml:id="DJ3-st49">
        <head>XLIX.</head>
        <l>We walked to Charing Cross with circumspection,</l>
        <l rend="indent2">As well became us, after what had happed</l>
        <l>To certain stout Reporters, whom the affection</l>
        <l rend="indent2">Of Mother <emph rend="ital">Fame</emph> had rather overpapped;</l>
        <l>We did not wish for fifteen hours reflection</l>
        <l rend="indent2">Within a prison, by constables kidnapped,</l>
        <l>We thought of **** the Courier's--not so sly as</l>
        <l>That Teucer-like manœuvering Mr. Tyas.<note place="bottom" resp="WH">[Hone's note:]<quote><lg><l>Once more bold Teucer in his Country's cause.</l></lg><bibl>ILIAD, Book XV</bibl></quote>Teucer betook himself to his shield, Mr. Tyas to a constable: but they both nevertheless waged <emph rend="ital">successive</emph> battle with considerable effect. [John Tyas was a journalist who reported on the Manchester massacre.]</note></l>
      </lg>
      
      <!-- <pb n="26"/> -->
      
          <lg type="stanza" n="50" xml:id="DJ3-st50">
        <head>L.</head>
        <l>Arrived, we found the meeting rather small,</l> 
        <l rend="indent2">But that in such a case is nothing strange;</l>
        <l>A mob in town is like a great snow-ball,</l>
        <l rend="indent2">Tho' not so clean about the centre range,</l>
        <l>And does not in a moment gather all</l>
        <l rend="indent2">Its rich ingredients; like a till of change,</l> 
        <l>Moments elapse ere its dimensions round,</l>
        <l>Or ball becomes a heap -- or till a pound.</l>
      </lg>
          
          <lg type="stanza" n="51" xml:id="DJ3-st51">
        <head>LI.</head>
        <l>I stood in Surry, on the bridge of Minster,<note place="bottom" resp="WH">[Hone's note:] This is also a bridge of size, independent of the sighs which had not been for my <foreign rend="italic">Ραίοτατη Χαηδη</foreign> this tête-à-tête on the bridge might have cost me. [Hone is punning on Byron's opening line from <title>Childe Harold's Pilgrimage IV</title>: "I stood at Venice, on the Bridge of Sighs...."]</note></l>
        <l rend="indent2">West of St. Paul's, and saw the mob assemble;</l> 
        <l>Beside me stood an interesting spinster,</l> 
        <l rend="indent2">Against the balustrade, who leaned to tremble;</l> 
        <l>Perceiving of her laboring breast the in-stir,</l> 
        <l rend="indent2">I said "That mob in Palace yard resemble</l> 
        <l>Of harmless sheep th' innumerable flocks;"</l>
        <l>"Good heaven," said she, "how disappointment shocks."</l>
      </lg>
      
      <!-- <pb n="27"/> -->
      
          <lg type="stanza" n="52" xml:id="DJ3-st52">
        <head>LII.</head>
        <l>"Then will it all pass off without a Riot?"</l>
        <l rend="indent2">Says I, "<hi rend="italic">Miss</hi>, I believe in faith it will;"</l>
        <l>"Shall we not have some soldier play to spy at?"</l>
        <l rend="indent2">Says I, "the colonel, ma'am, is very ill!"</l>
        <l>Says she, "excitement is the soul's high diet!"</l>
        <l rend="indent2">Says I, "to day you'll not enjoy your fill;</l>
        <l>And so adieu, poor trembler," then I bowed</l>
        <l>Of course, and sought the hustings thro' the crowd.</l>
      </lg>
      
          <lg type="stanza" n="53" xml:id="DJ3-st53">
        <head>LIII.</head>
        <l>My friend, meanwhile, had there procured a place,</l> 
        <l rend="indent2">And when I had attained his side I threw</l>
        <l>My Spanish glance o'er all the populace,</l>
        <l rend="indent2">Expanding in a broken square to view,</l>
        <l>The greater part genteel in <hi rend="italic">hat</hi> and face,</l> 
        <l rend="indent2">(My rule for judging what a mob will do,)</l>
        <l>Which having glanced, I did address my friend,</l>
        <l>And prophesied to him how all would end.</l>
        
        <!-- <pb n="28"/> -->
        
      </lg>
          <lg type="stanza" n="54" xml:id="DJ3-st54">
        <head>LIV.</head>
        <l>Then came the leader of our sports that day,</l>
        <l rend="indent2">OLD ENGLAND'S HOPE, AND WESTMINSTER'S PRIDE.<note place="bottom" resp="KG">  Sir Francis Burdett.</note></l>
        <l>Besides him classic Hobhouse held his way,</l>
        <l rend="indent2">Whose Roman Stylum hath so oft defied </l>
        <l>Of armed power the sabre's lightning play:</l>
        <l rend="indent2">And then a thousand acclamations vied</l>
        <l>To lighten the full heart, that like a flood</l>
        <l>Whelmed with its overflow the Great and Good.</l>
      </lg>
        
          <lg type="stanza" n="55" xml:id="DJ3-st55">
        <head>LV.</head>
        <l>'Tis meet I here should give you timely warning,</l>
        <l rend="indent2">That all our newspapers have got a trick,</l> 
        <l>Their speeches for our public men adorning,</l>
        <l rend="indent2">Of patching and of painting two inch thick,</l>
        <l>The metaphors that fly at eve or morning,</l>
        <l rend="indent2">Until exaggeration makes you sick;</l>
        <l>For instance, there's the New <hi rend="italic">right-liner</hi> Times,</l>
        <l>That might as well be all set up in rhymes.</l>
      </lg>
      
      
      <!-- <pb n="29"/> -->
      
          <lg type="stanza" n="56" xml:id="DJ3-st56">
        <head>LVI.</head>
        <l>Even so that Evening Mail's eventful Ghost,</l>
        <l rend="indent2">That's sold by twenties and by thirities; or</l>
        <l>The Morning Chronicle, or Morning Post,</l>
        <l rend="indent2">Or Morning Herald, or Advertiser,</l>
        <l>Or Courier, that adorns, at England's cost,</l>
        <l rend="indent2"><hi rend="italic">Miss</hi> Constitution, and then dirties her,</l>
        <l>By stumbling into some confounded sink,</l>
        <l>And covering her with mud and printer's ink.</l>
      </lg>
      
          <lg type="stanza" n="57" xml:id="DJ3-st57">
        <head>LVII.</head>
        <l>There is no Salt of Lemons will discharge</l> 
        <l rend="indent2">The iron-mould these cursed splashes leave;</l>
        <l>They eat into her petticoats, enlarge,</l>
        <l rend="indent2">And find their oily way up waist and sleeve;</l>
        <l>The <foreign rend="italic">Blanchisseuse</foreign> may work away in <hi rend="italic">barge</hi>,</l>
        <l rend="indent2">But no Reforming Laundress can relieve</l> 
        <l>That sullied hue, and there restore the true one,</l>
        <l>The Constitution then must buy a new one.</l>
      </lg>
      
      <!-- <pb n="30"/> -->
      
          <lg type="stanza" n="58" xml:id="DJ3-st58">
        <head>LVIII.</head>
        <l>You clearly comprehend my last long sentence,</l>
        <l rend="indent2">I'm cautious now of what Cockade I wear,</l>
        <l>I just observed an Oliver who went hence</l>
        <l rend="indent2">To build <hi rend="italic">Reforming Castles</hi> in the air;</l>
        <l>And, tho' for ever in a dungeon pent hence,</l>
        <l rend="indent2">He'd swear he saw me in St. James's Square</l>
        <l>With Jumping M'Gregor, or Simon Bolivar,</l>
        <l>And pike-armed Radicals- - -Oh Judas Oliver!<note place="bottom" resp="KG">"Jumping M'Gregor" is Gregor MacGregor (1786-1845), a Scottish adventurer and schemer who fought in the battles for independence in South America; Simon Bolivar (1783-1830) was a Venezuelan revolutionary and political figure, celebrated for the liberation and democratization of much of South America; "Judas Oliver" may be an allusion Oliver Cromwell (1599-1658; the leader of the anti-monarchist English revolution in the 17th century) but the immediate reference is likely to William J. Oliver--a.k.a. "Oliver the Spy"--a Home Office informant who infiltrated radical circles and passed information back to Lord Sidmouth, the Home Secretary.  Hone's point, of course, is that Oliver would pass along utterly false, absurd information that would nonetheless be used as a pretense for the violent suppression of suspected radicals.</note></l>
      </lg>
      
          <lg type="stanza" n="59" xml:id="DJ3-st59">
        <head>LIX.</head>
        <l>I've made a <hi rend="italic">Mem</hi>. to call as I go by</l>
        <l rend="indent2">At Herald's College, and a moment hear</l>
        <l>Of Betty Gaunt the glorious ancestry;</l>
        <l rend="indent2">I'll fish out there too if this Olivier</l>
        <l>Came in a right line from that noble fry,</l>
        <l rend="indent2">That fell with 'brave King Charles and every peer,'<note place="bottom" resp="WH">[Hone's note:] <title>Marmion</title>, Canto 6.</note></l>
        <l>Of Olivers one wishes (barring malice)</l>
        <l>The last of them had fall'n at Roncesvalles.</l>         
      </lg>
      
      <!-- <pb n="31"/> -->
      
          <lg type="stanza" n="60" xml:id="DJ3-st60">
        <head>LX.</head>
        <l>Then mind, I said, that Mad'm'selle Constitution,</l>
        <l rend="indent2">Would find it requisite to buy a garment,</l>
        <l>To lace her stays with tape of Resolution,</l>
        <l rend="indent2">And veil in muslin fresh her <foreign rend="italic">appas charmants</foreign>:</l>
        <l>You may <hi rend="italic">construe</hi> my sentence to confusion,</l>
        <l rend="indent2">But I on oath aver that I no harm meant;</l>
        <l>I did not say she would be brought to bed,</l>
        <l>And leave us Baby Governments instead.</l>
      </lg>
      
          <lg type="stanza" n="61" xml:id="DJ3-st61">
        <head>LXI.</head>
        <l>Well then, altho' I scorn to crow at ye,</l>
        <l rend="indent2">You'll not find my report so incorrect,</l>
        <l>The other papers deal in poetry,</l>
        <l rend="indent2">As you in every column may detect:</l>
        <l>When I my DEVILLED BISCUIT throw at ye,</l>
        <l rend="indent2">Truth is the only seasoning I affect. -- </l>
        <l>Sir Francis <note place="bottom" resp="KG">This is Sir Francis Burdett, noteworthy leader of the reformists in Parliament.  His speech, interestingly, is in Spenserian stanzas rather than the ottava rima Hone has borrowed from Byron.</note>doffed his hat, the people shouted,</l> 
        <l>And wide around flew every word he spouted.</l>
      </lg>
      
       
      <!-- <pb n="32"/> -->
        </div>
        <div>
          <head>Sir Francis Burdett Speaks</head>
      
      
          <lg type="stanza" n="62" xml:id="DJ3-st62">
        <head>LXII.</head>
        <l>"Hail, friends and free-born Countrymen, all hail!</l>
        <l rend="indent2">There'll be no day on earth so dear to me</l>
        <l>As this, on which already 'gin to pale</l>
        <l rend="indent2">The ineffectual fires of tyranny;</l>
        <l rend="indent2">And broad and bright the People's majesty</l>
        <l>Upriseth as the sun from Ocean's deep,</l>
        <l rend="indent2">To gild the level flood of Liberty;</l>
        <l>Or like a giant from his hour of sleep,</l>
        <l>Prepared the Race to run, and the Reward to keep.</l>
      </lg>
      
          <lg type="stanza" n="63" xml:id="DJ3-st63">
        <head>LXIII.</head>
        <l>"Even with a glow so silent, soft, and calm,</l>
        <l rend="indent2">May the true majesty of England rise,</l>
        <l>Chasing our island fogs, and shower her balm</l>
        <l rend="indent2">Upon our Land's convulsive agonies,</l>
        <l rend="indent2">Stilling ripe manhood's groan, and orphan cries,</l>
        <l>That startle from their sleep the Burghers' guard,</l>
        <l rend="indent2">Where Justice to the stained tribunal flies,</l>
        <l>With garments rent, and bosom idly bared,</l>
        <l>To supplicate in vain for those the sword hath spared.</l>
      </lg>
      
      <!-- <pb n="33"/> -->
      
          <lg type="stanza" n="64" xml:id="DJ3-st64">
        <head>LXIV.</head>
        <l>" ' Can such things be?' and have we rightly heard</l>
        <l rend="indent2">These pigeon rumours winging from the North?</l>
        <l>Even by the Region where our Percy spurred</l>
        <l rend="indent2">The gallant steed so conscious of his worth,</l>
        <l rend="indent2">And o'er his castle drawbridge thundered forth</l>
        <l>Into the strife of <hi rend="italic">men</hi>- - -was't there they drew- - -</l>
        <l rend="indent2">Our modern Hotspurs, on their mother earth?</l>
        <l>But bade the Percy's heart a long adieu,</l>
        <l>In woman's gentle blood their falchions to imbrue!</l>
      </lg>
      
          <lg type="stanza" n="65" xml:id="DJ3-st65">
        <head>LXV.</head>
        <l>" 'Corruption woke; -- there was a cry 'they come</l>
        <l rend="indent2">The trampling thousands in their banded might,'</l>
        <l>With reedy music and irregular drum,</l>
        <l rend="indent2">And banners glancing to the noonday bright;</l>
        <l rend="indent2">Fair Freedom's mail -- a consciousness of right,</l>
        <l>The only armour of defence they wear;</l>
        <l rend="indent2">But then, oh! God, it is a dreadful sight</l>
        <l>To see the <hi rend="italic">weaponshow</hi> of men's despair,--</l>
        <l>Petition's fainting knee, and famine's faltering prayer.</l>
      </lg>
      
      
        <milestone unit="signature" n="D"/>
      <!-- <pb n="34"/> -->
        
      
          <lg type="stanza" n="66" xml:id="DJ3-st66">
        <head>LXVI.</head>
        <l>"Alas!  my Countrymen, to breathe at length</l>
        <l rend="indent2">That prayer for bread but little time is given;</l>
        <l>Ere yet the rising accents gain their strength</l>
        <l rend="indent2">Adown the throat again complaint is driven,</l>
        <l rend="indent2">And buried in the heart, -- where long have striven</l>
        <l>Conflicting hopes, and pride that grapples woe, --</l>
        <l rend="indent2">Until the godlike veil of Man is riven,</l>
        <l>And the immortal spirit, sinking low,</l>
        <l>Kneel at the Tyrant's taunt, and fawn upon his blow?</l>
      </lg>
      
          <lg type="stanza" n="67" xml:id="DJ3-st67">
        <head>LXVII.</head>
        <l>"Even thus met Englishmen in peaceful guise</l>
        <l rend="indent2">Upon the firm earth of that saintly<note place="bottom" resp="WH">[Hone's note:]<quote><lg>
            <l>Like the holy alliance, Bellona seems grown,</l>
            <l>So fond of the Saints that events cannot cheat her,</l> 
            <l>She ran off with the French from the field of St. John</l>
          <l>And was recognised last on the field of St. Peter.</l></lg></quote></note> field;</l>
        <l>Their council hall o'er-domed by rolling skies,</l>
        <l rend="indent2">That spread, they rashly deemed, an ample shield,</l>
        <l rend="indent2">For those that in the open day-light wield</l>
        <l>Petition's olive branch, --the freeman's tongue, --</l>
        <l rend="indent2">But ne'er to <hi rend="italic">Speech</hi> did the oppressor yield, --</l>
        <l>Already to their steeds the Yeoman sprung,</l>
        <l>And note of maddening charge their hollow bugle rung.</l>
      </lg>
      
      <!-- <pb n="35"/> -->
      
          <lg type="stanza" n="68" xml:id="DJ3-st68">
        <head>LXVIII.</head>
        <l>"A moment, and the sword hath done <hi rend="italic">it's</hi> duty.</l>
        <l rend="indent2">And thro' unarmed thousands hacked a way;</l>
        <l>And changed to pallid corse our mortal beauty,</l>
        <l rend="indent2">And drenched in its own blood our mortal clay:</l>
        <l rend="indent2">Dispersion was a reed that could not stay</l>
        <l>The truster in his flight- -again there rushed</l>
        <l rend="indent2">With desperate heel fresh Hotspurs to the fray:</l>
        <l>The sabre's edge hath every murmur hushed,</l>
        <l>And charger's iron hoof the cells of reason crushed.</l>
      </lg>
      
          <lg type="stanza" n="69" xml:id="DJ3-st69">
        <head>LXIX.</head>
        <l>"Fast fell defenceless manhood in that hour,</l>
        <l rend="indent2">And womanhood and childhood lost their charm,</l>
        <l>Humanity her sceptre,- -thought her power;</l>
        <l rend="indent2">And justice was a bruised and broken arm,</l>
        <l rend="indent2">Upon the rampant field of that <hi rend="italic">alarm</hi>.</l>
        <l>On every side was heard a fiendish cry,</l>
        <l rend="indent2">Where slaughter's sickle reaped her crimson farm,</l>
        <l>Wreathing the dead ears round her temples high,</l>
        <l>As the REFORMER fell, - - -and saddening sunk to die.</l>
      </lg>
      
        <milestone unit="signature" n="D2"/>
      <!-- <pb n="36"/> -->
      
          <lg type="stanza" n="70" xml:id="DJ3-st70">
        <head>LXX.</head>
        <l>"Sleep on- - -the stainless banner of Reform</l>
        <l rend="indent2">Shall never more to thy applauses wave;- -</l>
        <l>THOU hast been wafted ere the rising storm</l>
        <l rend="indent2">Hath massed its thunders, - -to a freeman's grave,</l>
        <l rend="indent2">To the repose that never pillowed slave:</l>
        <l>The pinions of they children's prayer ascend</l>
        <l rend="indent2">Dabbled in blood- - -from the absorbing cave</l>
        <l>O'er which, in vengeful adjuration bend,</l> 
        <l>Their weapons half-unsheathed, - - - the groupe that 
          called <emph rend="italic">thee</emph> friend.</l>
      </lg>
      
          <lg type="stanza" n="71" xml:id="DJ3-st71">
        <head>LXXI.</head>
        <l>"For <emph rend="italic">Thee</emph>, thy hope - - thy cause - - thy cause and 
          theirs,</l>
        <l rend="indent2">This day indignant thousands lift their voice,</l>
        <l>The children of reform and lineal heirs</l>
        <l rend="indent2">Of spirit at which the buried great rejoice,</l>
        <l rend="indent2">And, here confirm the unhesitating choice</l>
        <l>Of Freedom, who hath chosen their peerless bride,</l>
        <l rend="indent2">Unawed and unseduced by counterpoise</l>
        <l>Of heartless gold, - -or exofficial pride,</l>
        <l>Even to the edge of doom her fortunes to abide."</l>
      </lg>
      
      <!-- <pb n="37"/> -->
      
        </div>
        <div>
          <head>The Reformists' Meeting Continues with Resolutions and Hobhouse's Speech</head>
      
      
          <lg type="stanza" n="72" xml:id="DJ3-st72">
        <head>LXXII.</head>
        <l>Thus far the Baronet, with patriot frown,- - -</l>
        <l rend="indent2">When, from St. Margaret's railing to the wave,</l>
        <l>Uprose o'er Palace Yard a cry of "down,"</l>
        <l rend="indent2">Than ran the timid, and stood still the brave;</l>
        <l>And those who paid their halfpence, or half crown,</l>
        <l rend="indent2">For good positions, ready opening gave</l>
        <l>To the encreasing thousands, whose reproaches</l>
        <l>Fell fast and furious on the <hi rend="italic">line of Coaches</hi>.</l>
      </lg>
      
          <lg type="stanza" n="73" xml:id="DJ3-st73">
        <head>LXXIII.</head>
        <l>And scarcely had attention bent to hear</l>
        <l rend="indent2">From every point of reassembling station,</l>
        <l>When music thrilled upon the general ear,</l>
        <l rend="indent2">And wands and banners with self-salutation</l>
        <l>Came waving on, renewing empty fear,</l>
        <l rend="indent2">Of agitation the reundulation:</l>
        <l>(That phrase is like the one your Cicero thunder'd</l>
        <l>On men's impatience)- - -Hail to the Two Hundred!</l>
      </lg>
      
      <!-- <pb n="38"/> -->
      
          <lg type="stanza" n="74" xml:id="DJ3-st74">
        <head>LXXIV.</head>
        <l>And, thus, a stir of fresh confusion rose,</l>
        <l rend="indent2">Just as Sir Francis did his speech retether;</l>
        <l>And people for a moment deemed their foes</l>
        <l rend="indent2">This <hi rend="italic">Committee</hi>, who wore presumptuous feather,</l>
        <l>But <hi rend="italic">I'm obliged</hi>, and here abruptly close,</l>
        <l rend="indent2">As it may seem, my notice altogether</l>
        <l>Of this Harangue- - -you have the pith already</l>
        <l>Of all his speech,- - -whatever further said he.</l>
      </lg>
      
     
      
          <lg type="stanza" n="75" xml:id="DJ3-st75">
        <head>LXXV.</head>
        <l>The usual Resolutions then were read,</l>
        <l rend="indent2">Which Hobhouse seconded with might and main:</l>
        <l>"Is this," he shouted, "England that we tread, </l>
        <l rend="indent2">Or is it but the slavish soil of Spain?</l>
        <l>Shall the petition for diurnal bread</l>
        <l rend="indent2">Be answered here by sabre or by chain?</l>
        <l>Commended to the GOD OF BATTLES be</l>
        <l>Our hope of vengeance and of victory."</l>
      </lg>
      
      <!-- <pb n="39"/> -->
      
          <lg type="stanza" n="76" xml:id="DJ3-st76">
        <head>LXXVI.</head>
        <l>"Is liberty become  a mere <hi rend="italic">Pretender</hi>,</l>
        <l rend="indent2">That Ministers insult her, downright flat?</l>
        <l>As bully Falstaff did his worship,- - -<hi rend="italic">'Slender</hi></l>
        <l rend="indent2">I broke your head, I know, well! what of that?</l>
        <l>I'll do't again because I find it tender!<note place="bottom" resp="KG">Misquoted from Shakespeare's <title>Merry Wives of Windsor</title>, I.i.115-16.</note></l>
        <l rend="indent2">(The mob thought this quotation very pat, - - -</l>
        <l>A Frenchman near me whispered, nothing takes here</l>
        <l>So well as low vulgarity from Shakespeare.)</l>
      </lg>
      
          <lg type="stanza" n="77" xml:id="DJ3-st77">
        <head>LXXVII.</head>
        <l>"And is our English pride beyond all hope,</l>
        <l rend="indent2">Fled from her rock, her altar, and her home,</l>
        <l>To pawn her honor for a hangman's rope,</l>
        <l rend="indent2">And sign her warrant in Corruption's tome?</l>
        <l>Must we like ministerial hirelings grope</l>
        <l rend="indent2">Amid the dusty sepulchres of Rome,</l>
        <l>To borrow for our Regent's hour mysterious</l>
        <l>The cast off domino of old Tiberius?</l>
      </lg>
      
      <!-- <pb n="40"/> -->
      
          <lg type="stanza" n="78" xml:id="DJ3-st78">
        <head>LXXVIII.</head>
        <l>"Even at the moment of its wildest flood</l>
        <l rend="indent2">The ocean hath its limit, so hath power,</l>
        <l>'Tis chartered for the universal good,</l>
        <l rend="indent2">And tho' its ravage waste for one brief hour,- - -</l>
        <l>And tho' it ebb in the waves of civil blood,- - -</l>
        <l rend="indent2">It is at length dashed back by some stern tower,</l>
        <l>On which our mortal energies uprear</l>
        <l>The streaming standard of its <hi rend="italic">future</hi> fear.</l>
      </lg>
      
          <lg type="stanza" n="79" xml:id="DJ3-st79">
        <head>LXXIX.</head>
        <l>"Come then! the furious flood hath reached its height,- - -</l>
        <l rend="indent2">The tower is undermined, - - -the standard fallen,- - -</l>
        <l>The tenth black wave that may o'erwhelm in sight,- - -</l>
        <l rend="indent2">The timid by its curling ridge appallen,- - -</l>
        <l>Come then! in harness to the battle dight,</l>
        <l rend="indent2">Come ye, who freedom's knighthood have installen,</l>
        <l>The buttresses of her crumbling fort repair,</l>
        <l>And raise Her banner to the kindred air.["]</l>
      </lg>
      
      <!-- <pb n="50"/> -->
      
          <lg type="stanza" n="80" xml:id="DJ3-st80">
        <head>LXXX.</head>
        <l>Hereon, a shout arose that soon subsided, </l>
        <l rend="indent2">And, as the stentor read each resolution, </l>
        <l>A cautious concourse left the crowd, as I did,</l>
        <l rend="indent2">Aware in time of breaking up confusion;</l>
        <l>Tho' quite as many in the crowd abided,</l>
        <l rend="indent2">For there was spouting up to the conclusion:</l>
        <l>The said Gale Jones<note place="bottom" resp="KG">John Gale Jones (1769-1838), a long-time and much prosecuted radical orator.  Jones, like Hone, was a veteran of the London Corresponding Society of the 1790s.</note> was inkling to address them,</l>
        <l>But as they wouldn't hear- - -he did'nt press them.</l>
      </lg>
      
          <lg type="stanza" n="81" xml:id="DJ3-st81">
        <head>LXXXI.</head>
        <l>Then as to Mr. Clarke and Mr. Walker,</l>
        <l rend="indent2">And Watson,<note place="bottom" resp="KG">Clarke, Walker, and Watson were all noteworthy radical activists.</note> who was there- -altho' that day</l>
        <l>He did not condescend to be a talker,</l>
        <l rend="indent2">I'd heard some fifty times what they could say,</l>
        <l>So I preferred at once to be a stalker,</l>
        <l rend="indent2">And with my friend marched manfully away,</l>
        <l>To get by <hi rend="italic">guess</hi> their several speeches up,</l>
        <l>Before Haidee and I sat down to sup.</l>
      </lg>
      
      <!-- <pb n="xx"/> -->
        </div>
        <div>
          <head>The Radical Meeting Broken up; Juan Arrested</head>
        
      
          <lg type="stanza" n="82" xml:id="DJ3-st82">
        <head>LXXXII.</head>
        <l>Oh! it was great and glorious to behold, - - -</l>
        <l rend="indent2">As we beheld it from an eminence,- - -</l>
        <l>That mass of population, as it rolled </l>
        <l rend="indent2">In all its density of numbers <hi rend="italic">thence</hi>;</l>
        <l>New vigor braced the sinews of the old,</l>
        <l rend="indent2">Warmed by the fire of that day's eloquence.</l>
        <l>And hope went dancing onward with the young- -</l>
        <l>Thus Juan spoke- - -that is I mean, he sung.</l>
      </lg>
      
          <lg type="stanza" n="83" xml:id="DJ3-st83">
        <head>LXXXIII.</head>
        <l>And longer had he sung, but with a frown</l>
        <l rend="indent2">A City Marshalman impatient rose,</l>
        <l>Who flung on either side the rabble down,</l>
        <l rend="indent2">And seized our street <hi rend="italic">Musician</hi> by the nose.</l>
        <l>In vain did Juan tip him half a crown,</l>
        <l rend="indent2">He took the fee- - -and kept his prisoner close:</l>
        <l>Not suffering him to wash, or comb his hair,</l>
        <l>Until he'd carried him before the Mayor.<note place="bottom" resp="KG">The details of Juan's arrest--the apprehension on the street, the immediate appearance before the Justice, etc.--recall the events of Hone's arrest in May of 1817.</note></l>
      </lg>
      
      <!-- <pb n="xx"/> -->
      
          <lg type="stanza" n="84" xml:id="DJ3-st84">
        <head>LXXXIV.</head>
        <l>Think not that I intend with pen profane</l> 
        <l rend="indent2">That civi-classic mansion<note place="bottom" resp="KG">This is Mansion House which houses the offices of the Lord Mayor of London.</note> to define,</l>
        <l>Emerging darkly from Bearbinder Lane,- - -</l>
        <l rend="indent2">Be that reserved for worthier pen than mine:</l>
        <l>Tho' scarce my glowing spirit can refrain</l>
        <l rend="indent2">From entering on the task, it looks so fine,</l>
        <l>And for an annual residence so fit- - -all</l>
        <l>Cased in smoke, half prison, half hospital.- - -</l>
      </lg>
      
          <lg type="stanza" n="85" xml:id="DJ3-st85">
        <head>LXXXV.</head>
        <l>They say Stocks Market grew upon its site,- - -</l>
        <l rend="indent2">(Remember that I call no one a blockhead,)</l>
        <l>I only say, that wishing to be right,</l>
        <l rend="indent2">I always carry Johnson<note place="bottom" resp="KG">That is, Samuel Johnson's <title>Dictionary</title>.</note> in my pocket,</l>
        <l>And think <hi rend="italic">Stocks</hi> Market it may still be hight, </l>
        <l rend="indent2">Considering the way in which they <hi rend="italic">stock</hi> it,</l>
        <l>Considering too, among its other oddities,</l>
        <l>'Tis mostly <hi rend="italic">stocked</hi> with saleable commodities.</l>
      </lg>
      
        <!-- <pb n="xx"/> -->
        
          <lg type="stanza" n="86" xml:id="DJ3-st86">
          <head>LXXXVI.</head>
          <l>Be that however as it may, therein</l>
          <l rend="indent2">A silence all portentous reigned that day;</l>
          <l>The clatter of the cooks had seized<note place="bottom" resp="KG">"ceased" in second edition.</note> its din,</l>
          <l rend="indent2">And every heart was trembling with dismay;</l>
          <l>For it was prophecied that men of sin</l>
          <l rend="indent2">In some old worsted stocking Plot would lay,</l>
          <l>Which o'er the city, ere <hi rend="italic">to-morrow</hi> broke,</l>
          <l>Would burst abroad in kindling fire and smoke.<note place="bottom" resp="KG">These stanzas suggest something of the paranoia of the local officials about the possibility of a general uprising against the government.</note></l>
        </lg>
        
          <lg type="stanza" n="87" xml:id="DJ3-st87">
          <head>LXXXVII.</head>
          <l>And there was whispering low and swearing hard </l>
          <l rend="indent2">Of special constables, thro'out the long </l>
          <l>And weary day, until the civic guard </l>
          <l rend="indent2">Amounted to at least six thousand strong; </l>
          <l>From Candlewick they came, and Cornhill ward,</l> 
          <l rend="indent2">A very worthy, tho' a motley throng, </l>
          <l>Prepared to stand a siege, or make a sally </l>
          <l>Up Lombard Street, and back thro' Pope's Head Alley.</l>
        </lg>
        
        <!-- <pb n="45"/> -->
        
          <lg type="stanza" n="88" xml:id="DJ3-st88">
          <head>LXXXVIII.</head>
          <l>By these our presents be it amply known</l>
          <l rend="indent2">To England's ministers, and all whom most </l>
          <l>It may concern, - - -that there almost alone </l>
          <l rend="indent2">The pink of Magistrates<note place="bottom" resp="KG">This is George Bridges, the Lord Mayor of London in September of 1819.</note> was at his post;</l>
          <l>Like eastern despot on his <hi rend="italic">worshipped</hi> throne,</l>
          <l rend="indent2">His eye glanced wildly joyous o'er the host</l>
          <l>Of loyalty, that round his musnud<note place="bottom" resp="KG">A cushion used as a throne by Indian princes.</note> pressed </l>
          <l>Desirous to fulfil his high behest.</l>
        </lg>
        
          <lg type="stanza" n="89" xml:id="DJ3-st89">
          <head>LXXXIX.</head>
          <l>'Twas not yet dusk, but hark, what means that shout,</l>
          <l rend="indent2">As tho' to crack our very eardrums sent?</l>
          <l>"To arms!- - -to arms! the foe's already out,</l>
          <l rend="indent2">Man every gallery and battlement, </l>
          <l>Some trusty spy go join the rabble rout,</l>
          <l rend="indent2">And if they're gone, observe which way they went,</l>
          <l>What damage they've already done the Town,</l>
          <l>And if the Tower's blown <hi rend="italic">up</hi>, St. Michael's <hi rend="italic">down</hi>."</l>
        </lg>
        
        <!-- <pb n="46"/> -->
        
          <lg type="stanza" n="90" xml:id="DJ3-st90">
          <head>XC.</head>
          <l>Thus spake the Magistrate, and as he spake,</l>
          <l rend="indent2">I only <hi rend="italic">sing</hi> what those who saw him <hi rend="italic">said</hi>,</l>
          <l>Like one afflicted with the belly ache,</l>
          <l rend="indent2">He shrugged his shoulders, and he shook his head,</l>
          <l>Then forward leaned, as tho' he wished to take</l>
          <l rend="indent2">The earliest glimpse of what he seemed to dread,</l>
          <l>When lo! no other popped before him, than</l>
          <l>Our old friend Juan and the marshalman.</l>
        </lg>
        
        </div>
      <div>
        <head>Juan in Court</head>
        
        <lg type="stanza" n="91" xml:id="DJ3-st91">
          <head>XCI.</head>
          <l>I've given of Juan no description yet,</l>
          <l rend="indent2">Except the <hi rend="italic">Greek</hi> one in my second Canto,</l>
          <l>So reader mind I'm something in your debt</l>
          <l rend="indent2">For that's too distant to refer a man to;</l>
          <l>Besides, since then, his thewes are much more set,</l>
          <l rend="indent2">And matrimony some time since began to </l>
          <l>Affix her claws upon his cheeks, and twist him</l>
          <l>With strange derangements of his nervous system.</l>
        </lg>
        
        <!-- <pb n="47"/> -->
        
        <lg type="stanza" n="92" xml:id="DJ3-st92">
          <head>XCII.</head>
          <l>I shall <hi rend="italic">postpone</hi> my picture of him that</l>
          <l rend="indent2">In case you happened to be in the court,</l>
          <l>You may not think my long description flat,</l>
          <l rend="indent2">But enter freely into all the sport;</l>
          <l>How gravely there Bashaw Majore sat,</l>
          <l rend="indent2">And, like the Syracusan<note place="bottom" resp="KG">Archimedes who, considering the potential force of a lever, is said to have pronounced: "Give me some place to stand, and I will move the earth."  Hone puns upon the "stand," as one might "stand" for an election.</note> in his fort,</l>
          <l>Thought he could move whate'er he lay his hand upon</l>
          <l>Could he obtain a borough but to <hi rend="italic">stand upon</hi>.</l>
        </lg>
        
        <lg type="stanza" n="93" xml:id="DJ3-st93">
          <head>XCIII.</head>
          <l>And then how self-possessed the Spanish Callant,</l>
          <l rend="indent2">(Whom I have just described so accurately,)</l>
          <l>Exhibited that most annoying talent,</l>
          <l rend="indent2">Evinced by most <hi rend="italic">placarding</hi> statesmen lately,</l>
          <l>Of treating with indifference <hi rend="italic">non chalant</hi></l>
          <l rend="indent2">The queries put by magistrate so stately,</l>
          <l>And then- - -(excuse me if I don't say why, Sir,)</l>
          <l>Turning the tables on his catechiser.<note place="bottom" resp="KG">In this exchange between Juan and the Lord Mayor, there are several sly allusions to Hone's own trials before Judges Abbott and Ellenborough in 1817.</note></l>
        </lg>
        
        <!-- <pb n="48"/> -->
        
        <lg type="stanza" n="94" xml:id="DJ3-st94">
          <head>XCIV.</head>
          <l>The warrant, like most warrants, was directed </l>
          <l rend="indent2">To all good subjects and to any true one,</l>
          <l>That he do bring- -no matter how detected,- -</l>
          <l rend="indent2">Before the Mayor a Spaniard called Don Juan,</l>
          <l>Of crimes and treasonous practices suspected, </l>
          <l rend="indent2">Securing thus the presence of the <hi rend="italic">buon</hi></l>
          <l><hi rend="italic">Cavaliero</hi>, and the marshalman:- - -</l>
          <l>When thus the city Solomon began.</l>
        </lg>
        
        <lg type="stanza" n="95" xml:id="DJ3-st95">
          <head>XCV.</head>
          <l>"Your name?" "Don Juan"- - -Well! your country?"  "Spain,"- - -</l>
          <l rend="indent2">"A Spaniard, are you!- - -well you must be taught here,</l>
          <l>What never seems to have disturbed your brain,</l>
          <l rend="indent2">How folks like you are treated when they're caught here;</l>
          <l>Why <hi rend="italic">came</hi> you here Sir?"- - -quoth the Mayor again,</l>
          <l rend="indent2">Quoth Juan cooly, "wherefore was I <hi rend="italic">brought</hi> here?"</l>
          <l>And <hi rend="italic">kept his countenance</hi>- - -a sin so flagrant,</l>
          <l>'Twas thought he'd been committed for a vagrant.</l>
        </lg>
        
        <!-- <pb n="49"/> -->
        
        <lg type="stanza" n="96" xml:id="DJ3-st96">
          <head>XCVI.</head>
          <l>"We've heard enough already of your pranks,</l>
          <l rend="indent2">There's not a town in Europe does not scout you;</l>
          <l>Expatriated first, the very Franks</l>
          <l rend="indent2">Have branded you, you bear the marks about you;</l>
          <l>To pour your venom thro' our lower ranks</l>
          <l rend="indent2">You've now come here, - - -but they can do without you;</l>
          <l>Altho' you think in London here to winter</l>
          <l>What's your profession?- - -tell me Sir?" "a <hi rend="italic">Printer!</hi>"- - -</l>
        </lg>
        
        <lg type="stanza" n="97" xml:id="DJ3-st97">
          <head>XCVII.</head>
          <l>"Know you of any plot to burn the City?"</l>
          <l rend="indent2">"I've heard it said your Lordships' self has heard of it."</l>
          <l>"<hi rend="italic">You've</hi> heard it said,- - -and that you mean for witty,</l>
          <l rend="indent2">There's treason and reform in full <hi rend="italic">the third</hi><note place="bottom" resp="WH">[Hone's note:] I fear the Manchester 'Occurrence' has tended to  reduce our 
              Reforming fractions into whole numbers- - -that word 'Occurence' 
              strikes me as being very apposite.  Thus we may say the flights of 
              Bonaparte were 'Recurrences'- - -the Russian Campaign an 'Accident'- - -or the Battle of the Granicus a 'Transaction.'</note> of it,</l>
          <l>And such as you are traitors," "more's the pity!"  </l>
          <l rend="indent2">Said Juan, "but I don't believe a word of it." </l>
          <l>"But, I believe it sir,- - -and mean to save it.<note place="bottom" resp="WH">O, bone Custos, salve! Ter. [The translation is "Good day, Master!"]</note></l>
          <l>The information is on affidavit."</l>
        </lg>
        
        <!-- <pb n="50"/> -->
        
        <lg type="stanza" n="98" xml:id="DJ3-st98">
          <head>XCVIII.</head>
          <l>"My Lord, you'll name th' informer if on oath,"</l>
          <l rend="indent2">"Sir I shall not," - - - "my Lord that's rank oppression;</l>
          <l>You I defy and your informer both;"</l>
          <l rend="indent2">"Sir," quoth the mayor, "I ask for no confession,</l>
          <l>But I'm by duty bound, tho' very loth;</l>
          <l rend="indent2">To bind you over to the Quarter Session,</l>
          <l>With two good honest bail that must be bound</l>
          <l>With you in sureties for Five Hundred Pound."</l>
        </lg>
        
        <lg type="stanza" n="99" xml:id="DJ3-st99">
          <head>XCIX.</head>
          <l>So Juan looked about, and there were two</l>
          <l rend="indent2">Stepped from the crowd who happened to be there,</l>
          <l>Two men of wealth whom every body knew,</l>
          <l rend="indent2">Except unluckily the worthy Mayor,</l>
          <l>A pair of sturdy men of business, who</l>
          <l rend="indent2">Resolved to see the <hi rend="italic">stranger treated</hi> fair,</l>
          <l>But, they were not admitted bail, altho' 'tis</l>
          <l>Usual without the twenty four hours notice.</l>
        </lg>
        
        <!-- <pb n="51"/> -->
        
        <lg type="stanza" n="100" xml:id="DJ3-st100">
          <head>C.</head>
          <l>"My Lord, " said Juan, seemingly astonished, </l>
          <l rend="indent2">"Is then all justice from your Lordship fled?</l>
          <l>If you persist, illegally I'm punished,</l>
          <l rend="indent2">The peril then be on your Lordship's head!"<note place="bottom" resp="KG">Juan's refusal to be cowed by the Lord Mayor is a deliberate echo of Hone's stance before Lord Ellenborough immediately after his arrest in May of 1817.</note></l>
          <l>But not much liking so to be admonished,</l>
          <l rend="indent2">Thus of his speech the Mayor snapped off the thread;</l>
          <l>"Guards seize the traitor! to the Compter<note place="bottom" resp="WH">[Hone's note:]<quote><lg>
              <l>The Giltspur Street I mean and not the late one</l>
              <l>Where's now a Chapel built by Mr. Clayton.----</l>
              <l>How times are mended since his fame hath risen</l>
              <l>Upon the ruins of a city prison!</l>
        </lg></quote></note> bear him,</l>
          <l>There let him learn obedience, we'll  not spare him!"</l>
        </lg>
        
        <lg type="stanza" n="101" xml:id="DJ3-st101">
          <head>CI.</head>
          <l>And so the Don was marching off to prison,</l>
          <l rend="indent2">(First having penned a note to dear Haidee;)</l>
          <l>When like the great <hi rend="italic">Lord Keeper's</hi> Scottish bison</l>
          <l rend="indent2">Dabbled in blood and horrible to see,</l>
          <l>A six-foot <hi rend="italic">Butcher</hi> with his steel uprisen,<note place="bottom" resp="KG">This unnamed character may, as Peter Cochran suggests, represent some untraced allusion to a contemporary person or situation.  In any event, the Butcher clearly does embody a kind of ignorant and prejudiced violence not unlike that attributed to the Yeoman Cavalry in the Manchester Massacre.</note></l>
          <l rend="indent2">Rushed into court- -familiar, frank and free,</l>
          <l>With loud vociferation of expression</l>
          <l>Startling the DIG of that supernal session.</l>
        </lg>
        
        <milestone unit="signature" n="E2"/>
        <!-- <pb n="xx"/> -->
        
        <lg type="stanza" n="102" xml:id="DJ3-st102">
          <head>CII.</head>
          <l>And 'ere the Mayor, recovering from the pop,</l>
          <l rend="indent2">Of such an apparition asked the reason,</l>
          <l>The Butcher cried, "deserving <hi rend="italic">Newgate</hi> drop,</l>
          <l rend="indent2">Is every fool that circulates such <hi rend="italic">treason</hi>!</l>
          <l>Here have I been, your Worship, in my  shop,</l>
          <l rend="indent2">Arguing these three hours, in the melting season,</l>
          <l>With half a dozen butchers who declare</l>
          <l>There is a fool that fills a civic chair."</l>
        </lg>
        
        <lg type="stanza" n="103" xml:id="DJ3-st103">
          <head>CIII.</head>
          <l>" 'A fool, a fool, we met a fool," said they,</l>
          <l rend="indent2">(With senseless clamour to the charge returning)</l>
          <l>'A motly fool,' that swore the other day</l>
          <l rend="indent2">He smelt the brimstone some Guy Fawkes was burning;</l>
          <l>Beneath the street gunpowder puncheons lay,</l>
          <l rend="indent2">That would to heaven Bow steeple soon be spurning.</l>
          <l>Besides a <hi rend="italic">million</hi> pikes, with double edges,</l>
          <l>Hid up for Radicals in Shoreditch hedges.</l>
        </lg>
        
        <!-- <pb n="xx"/> -->
        
        <lg type="stanza" n="104" xml:id="DJ3-st104">
          <head>CIV.</head>
          <l>"At which, your Worship, with a Belcher stride,</l>
          <l rend="indent2">I just stept up to one, and on my block</l>
          <l>Pummelled his ORGANS,<note place="bottom" resp="WH">[Hone's note:]  This must have rather galled the Radical.</note> telling him he lied;</l>
          <l rend="indent2">That I would answer for your noble stock,</l>
          <l>That in a drove of such would be my pride;</l>
          <l rend="indent2">But then because I fib, my hearty Cock,</l>
          <l>Don't think of cooler argument I shy am,- - -</l>
          <l>I say the Mayor's no more a fool than I am.</l>
        </lg>
        
        <lg type="stanza" n="105" xml:id="DJ3-st105">
          <head>CV.</head>
          <l>"And so I said, as loud as I could bellow,</l>
          <l rend="indent2">And tell your Worship, to your Lordship's face,</l>
          <l>I think you are by far the cleverest fellow</l>
          <l rend="indent2">That ever occupied your Worship's place.</l>
          <l>I told them so, the Raffs! with faces yellow,</l>
          <l rend="indent2">Like their own tallow, a degenerate race!</l>
          <l>They blustered about Russel, Hampden, Sydney,<note place="bottom" resp="KG">All three are famous 17th-century radicals: Lord Russel (1639-1683), John Hampden (1594-1643), and Algernon Sidney. (1623-1683).</note></l>
          <l>Say what you like, says I, the Mayor's a Lad of Kidney."</l>
        </lg>
        
        <!-- <pb n="xx"/> -->
        
        <lg type="stanza" n="106" xml:id="DJ3-st106">
          <head>CVI.</head>
          <l>Uprose the Mayor with gratulating phiz,</l>
          <l rend="indent2">"Butcher! we thank thee for thy kind defence;</l>
          <l>We thank thee that thou didst exhibit Wis-</l>
          <l rend="indent2">-Dom and disinterested Eloquence;</l>
          <l>But prithee, as <hi rend="italic">our advocate</hi>, dismiss</l>
          <l rend="indent2">The force of English blows for English sense:</l>
          <l>In one word, (misinterpretation barring)</l>
          <l>Be bold my friend, - - -but, mitigate your sparring?"</l>
        </lg>
        
        <lg type="stanza" n="107" xml:id="DJ3-st107">
          <head>CVII.</head>
          <l>Thereat, the noble Butcher's eyes struck fire,</l>
          <l rend="indent2">Flashing like powder-pan both right and left,</l>
          <l>And rose his leg of mutton fist in ire,</l>
          <l rend="indent2">As if he would the Mayor in twain have cleft.</l>
          <l>"Fought I for you!" quoth he, "and called a liar,</l>
          <l rend="indent2">The scoundrels who your character bereft?</l>
          <l>I s'pose from <hi rend="italic">Gratitude</hi> as much you'd winced,</l>
          <l>Had I the Radicals <hi rend="italic">by wholesale minced!</hi>"</l>
        </lg>
        
        <!-- <pb n="xx"/> -->
        
        <lg type="stanza" n="108" xml:id="DJ3-st108">
          <head>CVIII.</head>
          <l>Then forth the Champion rushed- - -the Mayor uprose,</l>
          <l rend="indent2">And for the day his myrmidons dismissed;</l>
          <l>And went to seek the Mayoress I suppose,</l>
          <l rend="indent2">The while a few disloyal varlets hissed;</l>
          <l>I longed to see, I must confess it, <hi rend="italic">those</hi></l>
          <l rend="indent2">With each a trusty handcuff on his wrist,</l>
          <l>Awaiting quiz from that theatric jester </l>
          <l>And pattern of humanity Sylvester</l>
        </lg>
        
        <lg type="stanza" n="109" xml:id="DJ3-st109">
          <head>CIX.</head>
          <l>Daggerwood as played by Mr. Kean,<note place="bottom" resp="KG">The celebrated actor Edmund Kean had recently played the title role in a Drury Lane farce called <title>Sylvester Daggerwood; or New Hay at the Old Market</title> by George Colman.</note></l>
          <l rend="indent2">Who had it for his benefit at Drury,</l>
          <l>And hacked and slashed away thro' every scene</l>
          <l rend="indent2">Upon our muscles risible like fury;</l>
          <l>These hissing ragamuffins had they been,</l>
          <l rend="indent2">As I was, in the pit that night I'm sure he</l>
          <l>Would not have left one hissing sympton visible,- - -</l>
          <l>I saved my life by being anti-risible.- - -</l>
        </lg>
        
        <!-- <pb n="xx"/> -->
        
        <lg type="stanza" n="110" xml:id="DJ3-st110">
          <head>CX.</head>
          <l>Meanwhile what happened in the night, and what</l>
          <l rend="indent2">Became of all the bustle and the stirrage,</l>
          <l>To counteract the mischief of the plot,</l>
          <l rend="indent2">That had aroused such lots of zeal and courage,</l>
          <l>And whether ever brought to light, or not,</l>
          <l rend="indent2">I only know 'twas cause of much demurrage,</l>
          <l>When gravely wiser men, and baldermen</l>
          <l>Discussed it in the learned Court of Aldermen.</l>
        </lg>
        
        <lg type="stanza" n="111" xml:id="DJ3-st111">
          <head>CXI.</head>
          <l>But Juan soundly slept within his cell,</l>
          <l rend="indent2">Whereto the despot's mandate had consigned him;</l>
          <l>I only  hope his Lordship slept as well,</l>
          <l rend="indent2">Who in the teeth of usage had confined him,</l>
          <l>But being married, 'tis not fit I tell</l>
          <l rend="indent2">What harrowing regrets he left behind him,- - -</l>
          <l>And whether much he took the day in dudgeon- - -</l>
          <l>I rather thought he did- - -but there's no judging.- - -</l>
        </lg>
        
        <!-- <pb n="xx"/> -->
        
        <lg type="stanza" n="112" xml:id="DJ3-st112">
          <head>CXII.</head>
          <l>However, there he lay.  And now suppose,</l>
          <l rend="indent2">While Juan tranquilly his nap is taking,</l>
          <l>We gently draw this Canto to a close- - -</l>
          <l rend="indent2">(I think we need not dread his early waking)</l>
          <l>I feel besides that I begin to prose,</l>
          <l rend="indent2">My eyes being tired and my fingers aching</l>
          <l>Which (be we Cantabrigians, or Oxonians,)</l>
          <l>Is very fatal to us Heliconians<note place="bottom" resp="KG">i.e. "fellow poets"</note>.</l>
        </lg>
        
        <lg type="stanza" n="113" xml:id="DJ3-st113">
          <head>CXIII.</head>
          <l>But should not our 'Lieutenant of Police,'</l>
          <l rend="indent2">With hand irreverent disturb my leisure,</l>
          <l>And send the instruments of his caprice,</l>
          <l rend="indent2">On Canto Three to make illegal seizure,</l>
          <l>Its possible that I may still increase</l>
          <l rend="indent2">With Canto Four your literary treasure;</l>
          <l>That is, if Juan should'nt <hi rend="italic">die</hi> in jail</l>
          <l>Whilst the Lord Mayor's <hi rend="italic">considering</hi> his bail.</l>
        </lg>
        
        <!-- <pb n="xx"/> -->
        
        <lg type="stanza" n="114" xml:id="DJ3-st114">
          <head>CXIV.</head>
          <l>Now, should the reader ask me in what age</l>
          <l rend="indent2">This Juan lived, when all these things befel him,</l>
          <l>And who were those I brought upon the stage,</l>
          <l rend="indent2">If he can't find it out I won't compel him;</l>
          <l>But, pondering deeply over every page,</l>
          <l rend="indent2">I think he'll find- - -and least I that can tell him- - -</l>
          <l>'Twas when Alphonso filled the Spanish throne,</l>
          <l>And in the Mayoralty of Whittington.<note place="bottom" resp="KG">A reference to Dick Whittington (d. 1423), the celebrated Lord Mayor of London.</note></l>
        </lg>
      </div>
      <div type="back"></div>
      <trailer>
        END OF CANTO III.<lb/>
        
        Printed by T. DAVIS, 102, Minories.
      </trailer>

    </body>
  </text>
</TEI>